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Art as Performative Enactment
Art as Performative Enactment
“Intermedia only exists or comes into beng as such through
the interaction between objective elements and the subjectivity of the viewer.”
The author claims in the passage that viewer is the one who responsible to
interpret the elements in a piece for themselves. Base on this statement, the
author asks, “What is art? And where does it come from?” in the later
paragraph. I think this is such a huge question that won’t be able to just
answer in one sentences. The author provide what is not necessary to be an art
– the pleasure provoke by aesthetic consciousness. Personally, I describe art
as blank and tasteless. Later the author provide the three concept that Gadamer
build for the origins of the work of art- play, symbol, and festival.
Play:
According to Gadamer, movement is the key of play. It is
interesting the author give out an example of how the relationship works
between game and game players. “The game
is being played through our movements turns to the game play itself though our
movement.” The player was brought to a
higher level of the game. And when the game play for the spectators, the
spectators were also involve in the movement of play.
I think about the sleeper in MOMA.
Actress Tilda Swinton sleeps in a box in MOMA for art
installation. Sleeping is defiantly not an art, but sleeping in a box in front
of a lot of spectators becomes an behavior art in MOMA. I think sleeping is the
“movement” in the play. And the spectators inevitably involved in the artwork,
which makes sleeping an art.
Symbols:
Symbols are the flavors of an artwork, which provoke
emotions and feelings of viewers. I
immediately think of Vivian Maier, a great female photographer. Her photographs
are stunning art pieces. Her works are full of energy and delivering the
massage and feeling of voyaging. Voyeurism is the symbol of her artworks to me.
The people in her photograph, not every
photo, but a lot of them did not aware of the camera when the photo was taken.
She caught the motion of the reality, and since then would the people who in
the camera saw themselves in the most real and subjective way.
Festival(fest):
Work of art works in the community just like the way a
festival does. The work of art unites everyone in the community through its
communicative function. I am totally agreed with the statement. This might
explant the phenomenon of why there are so many garbage movies, which we
clearly know they are intolerable to watch, but we still watch them. Because we
are not care about if the movie we are watching is good at all. We care about
can this movie help us provoke conversations with others. We consume the films,
in stead of enjoy the film.
Response to Readings
In “The Fantasy Beyond Control”, the basic idea is that
interactive systems of media are important to media and the viewer because they
are required to react. At the very end
of the reading, there is an important sentence that describes the importance of
these interactive systems: “Participating personally in the discovery of values
that affect and order their lives, allows individuals to dissolve the division
that separates them from subversive control, and replaces some of the nostalgic
longings with a sense of identity, purpose and hope.” This is important to the
viewers because when they have a sense of purpose, they can better enjoy the
media they are viewing and participating in.
In the
second reading, “Art as Performative Enactment”; the idea of intermedia is
heavily expressed. “In intermedia, the subjective side of the experience is
essential and integral to the work of art.” This sentence is critical in tying
together this reading and “The Fantasy Beyond Control”. What I mean by this is
that intermedia is crucial to providing interactive media where the viewer is not
just viewing the media, but consciously participating in it as well. The
reading verifies this point by stating that, “The viewer has no choice but to
construct meanings on his or her own out of the interactions in consciousness
between different elements; there are no given meanings.” Intermedia is the key
to increasing interactive systems of media, and it will continue to progress
the participation of the viewers.
In this photographer’s galleries, you can find very artistic
photographs that combine hundreds of photos to make one unique photograph. The
photographer uses milk, and in some cases just water, to essentially clothe the
models. In one of his galleries, he recreates popular pinup photographs from
the 1940’s and 50’s. He also uses milk to create stunning affects using their
splashes and the way it flows down the bodies of the models.
Art as Performative Enactment - Response
The article discusses the three major parts in performance art. These three parts are: play, symbol, and festival. The play are the characters and their movements in the piece. The symbols are things that relate to the piece and give it feeling and emotion. The festival is how the piece draws an audience, a community of people that it speaks to, together. These three parts in performance art can also be found in movies thus making movies art as well. There are movements and actions of characters in a film, there are objects, settings, music, etc that all show symbolism in certain scenes of the film. Lastly, movies draw an audience and bring a community of people together. When people see a trailer of a movie on tv that "speaks" to them, something that they find interesting, they go to the movie theater and watch it. These examples show how video is an art.
The emotion of the scene that I've posted from Inception is set through the three major parts of the art. The actions, words, movements, settings, tone of voices, etc of the characters all help in giving the audience the sense of emotion that the filmmaker was trying to portray. The filmmaker's use of symbols also help in adding to the emotion.
https://www.youtube.com/watch?v=iCTAJ00nIlI
The emotion of the scene that I've posted from Inception is set through the three major parts of the art. The actions, words, movements, settings, tone of voices, etc of the characters all help in giving the audience the sense of emotion that the filmmaker was trying to portray. The filmmaker's use of symbols also help in adding to the emotion.
https://www.youtube.com/watch?v=iCTAJ00nIlI
Response to Art as a performative Act.
This is a vary
interesting article talking about how performance is involved in being a form
of art. In this response, I also want to mention a movie--Run Lola Run. (which is mentioned by
Jonah in his response.) At the beginning of the movie, cartoon character and
real character are both involved which is very fascinating. The movie is
containing three similar plots of how Lola helps her boyfriend Manni repay the
100000 marks. Each plot is set in similar environment but different action by the same people, thus different results. For example, Lola would meet the same
people during her run in all o the iterations: a woman carries a baby car, a
man riding a bike, Mr. Meier, her Pappa and a man driving an ambulance.
However, the processes that they meet Lola are different. For example, at the
first iteration, Lola runs through before Meier’s car comes; at the second
iteration, Lola jumps over Mr. Meier’s car; at the third iteration, Lola
crashes to Mr.Meier’s car and figures out the driver is Mr. Meier. I believe
these differences have consequences for each of the three outcomes. For
example, at the first iteration, Lola doesn’t know how to use a gun and Manni
tells her how to manipulate. However, at
the second iteration, it turns out that Lola already knows the way of using a
gun. Therefore, each of the iteration is not separate from each other. But we
also can say that the iterations are separated as although each of the
iterations has parallel plots, three of the iterations have different endings.
I find this is a very good and innovative idea to make a performance video by
introducing a similar plot with different reaction thus producing a totally
different ending.
Besides, I found
a very amazing performance video. The video is making in a totally dark area in
which all performers wear in black but with light on them.
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