Reading Douglass and Harden’s
chapter really put film techniques to the forefront of my mind. While watching Brokeback Mountain with a friend of mine
this week, I was constantly thinking about the article and what the different
types of shots in the movie could convey. For instance, the director Ang Lee
used many short focal length shots to exaggerate the huge and wild beauty of
the mountain scenery in Brokeback
Mountain as well as the smallness of the characters themselves. It made it
seem as if they were swallowed by the world around them, which is highly
symbolic given the circumstances. Because the two characters are hiding who
they actually are for fear of becoming societal outcasts, their smallness and
vulnerability in these shots subconsciously brought us to the emotional place
that we needed to be for the movie to be fully effective.
One of these shots in particular
was taken from above. As Douglass and Harden said of high-angle, short
focal-length shots, it “makes them appear as if we are observing them from near
the ceiling” (p 168). In this particular case, however, the two cowboys are
actually being observed from above by their employer. This is especially
significant because their boss realizes in this scene that they are in love
with one another and that this is causing them to be slightly less effective at
their jobs. The shot perfectly conveys the cold emotion of the situation, as
well as emphasizing the feeling that they are being spied on even before we
know that they actually are. It helps
us to put their relationship back in the perspective of the society which they
are part of – it reminds us that in their world, their relationship cannot
be accepted.
Here is the scene: http://www.youtube.com/watch?v=DuyH1j2jMRg
Watch from 1:28 to the end.
I found the
Douglass and Harden chapter to be hugely helpful in viewing movies and choosing
which shots and techniques to use to convey certain things. I chose Brokeback Mountain because it is one of
my favorite movies of all time, primarily because of the cinematography.
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