The word "documentary" was first applied
to films of this nature in a review of Robert Flaherty's film Moana, published
in the New York Sun on 8 February 1926 and written by "The
Moviegoer", a pen name for documentarian John Grierson. Documentaries seem
to have a certain obligation towards "truth." Nowadays, when people
are asked what “documentary” is, they always say "It is a type of film
that is based on the real world and real people, depicting things as they are
or telling about historical events in a supposedly truthful or objective manner.”
No single criterion seems to qualify or disqualify a given film. For example,
it is often considered that actors belong to fiction films and not to a true
documentary. On the other hand there are exceptions that we are ready to
accept, such as a TV-documentary using professional actors to re-enact a crime
scene in order to make us understand how something may have happened. Indeed it
would be immoral to have the real criminal perform another knife stabbing on
the real victim - even though that could be said to be more true or closer to
the original event. Producing a documentary is a complex craft and just as any
other creative endeavor, it demands several layers and a focus on the overall intent.
When presenting a great documentary, I think that it’s very important to make
sure that the topic isn't something mundane or universally agreed-upon. More
intimate documentaries have just as much of an opportunity to resonate with an
audience if the story they tell is captivating. As film became a more popular
mode of representation, the purpose became not only to record reality, but also
to promote certain ideals of what was real, how the world should be viewed, and
what social changes were necessary for the good of mankind. The camera was used
to explore and analyze events and people, to inquire about meanings, to make
the audience question their reality. By using specific techniques to form the
production, documentarians can make their footage seem like the absolute truth
and control to a large extent how the viewer receives the film.
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