I was a bit confused while reading this article. After
reading it a few times I decided that the author’s intention was to explain how
video is, or can be, intermedia. Video is a medium, or “vehicle”, where basic
intentions are processed and it can be used politically. Does this mean that
radios are also intermedia mediums? Mr. Foster states many great attributes to
the art of videos, but is he implying that these attributes are what makes
video a form of intermedia or is he implying that it is simply the best form?
Stephen also mentions three qualities of videos: 1) it
compels as a medium, 2) it is an extension of ourselves, and 3) it transforms.
Yes, video compels as a medium because it grabs a viewer’s attention, which, I
suppose, could mean that video is also an extension of us. Once we like what we
see we could be glued to a video until it is done. However, other forms of art
such as literature could have the same effect on a person. The part I do not
entirely agree with is when he states that video transforms because it can
avoid “prefabricated ‘artistic’ attitudes”. I understand he might believe this
to be true because whenever some one records an event, he or she is recording
whatever is going on and cannot manipulate the art. In other words, regardless
if the person holding the camera has a vision for the video, videos in other
articles that photography has this same effect, which I believe is not true. If
someone takes a video but manipulates the lighting, sounds, or uses face shots
versus long shots, the person is manipulating the video in order to evoke a
specific mood or an emotion.
In conclusion, I believe that video enables intermedia but I
do not agree with all that he said about videos and their effect/qualities.
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