The more recent works stem from Ruest’s computer and engineering background, which is evident in almost all her pieces where she utilizes some sort of software hacking, or creating robotics. Some of her pieces does not use video in the traditional sense, but instead uses video as a commentary on society. Ruest's work has since evolved into works with commentaries about environmental issues and is currently focusing on feminism and technology in the workplace, recognizing the disparity in numbers between men and women. She has shown her work in exhibitions all over Europe and the US, specifically Switzerland, Netherlands, Norway, Germany, Italy, Austria, New York, California, and New Mexico as well as had her work reviewed in the New York Times and Huffington Post.
Going back to Ruest's video usage, her work Track the Trackers uses a computer and headphone system to detect video surveillance cameras in public areas. When the user is within a certain distance of the cameras the user will hear noise in the headphones and the location of the security camera is added to a database. Higher surveyed areas will be recognized by a lot of noise, while less secure places will be more silent to the user. The purpose of the project is to spread awareness of the frequency people are being videotaped, implying that we are often being watched without knowing it.
Track the Trackers: http://www.anninaruest.com/a/trackers/index.html
A Piece of the Pie Chart: https://vimeo.com/79534316
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