The documentary I chose for this week is, Ai Weiwei: Never Sorry. Ai Weiwei is a
very famous artist and activist, often combining the two through performance
art. The documentary takes place over a period of two years, during which the
filmmaker documented Ai Weiwei’s artistic processes, interviewed his artists,
and captured a lot of Weiwei’s conflicts with the Chinese government. I would
classify this documentary as an observational one, with some overlapping themes
from expository and performative. It is
observational because there is minimum intervention, we don’t really interact
with the filmmaker, and it aims to establish intimacy with Ai Weiwei and his
“co-artists.” The expository and performative aspects come into play in the
content. This film very much shows the control and suppressive nature of the
Chinese government and exposing that element is certainly the intent of the
filmmaker. In terms of the performative part, a lot of what the filmmaker
captures is performance art and the process of creating it. Perhaps that’s too
literal of an interpretation of the film mode, I just thought I should bring
attention to it!
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