What stood out most to me from GH Hovagimyan’s essay is the
line in the final paragraph. Hovagimyan notes, “In generative art or music or
theater, computer algorithms create or manifest the forms of art. In this way
the art is ever changing.” I want to
consider this quote in relation to glitch art. Glitch art is when an artist
alters the code on a image or sound bite, to create a distortion or abstraction
of the original piece. Often times the artist has little control over how the
glitch affects the piece art. I think glitch art could be classified under
Hovagimyan’s term “generative art” because the content that is being created in
glitch art is so randomized and reliant on the computer algorithms. We might
also consider laptop orchestras as an example of generative music. In which artists/musicians gather and generate
music using just their laptop. The results are often random and based on the
reliability of the devices used. Both of
these could fit into what Hovagimyan refers to as the “‘Post Media’ information
environment” because the art is ever changing within these manifested forms the
message is less communicative. Hovagimyan’s discussion of various media helped
to establish what has preceded this Post Media age, but his failure to address
examples of what he considers Post Media lessened his overall essay.
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